The exhibition route winds its way along a chronological path which takes visitors on a journey from his early paintings to his later works. The galleries are organised according to his series of paintings the most representative ones, tracing a development that ranges from the The Macabre Attic (1944–1959) to the period of The Dolls (1959–1962), followed by Beasts and Surfanta Venuses (1962–1974) and the Pascal’s Paintings (1970–1980), right up to the later works of The seats (1982–1995) and Hotel Surfanta (1981–1995).
The experience concludes with a gallery of engravings including etchings and woodcuts, and with the a symbolic reconstruction of the studio by the artist. During the visit, visitors can gain a deeper understanding of the works thanks to the information boards and the printed guide of the Museum, or make use of the interpretative reading of each job, setting out the QR Code using their own smartphone.









