Brixia bridal complexes

Edited by: Ilaria Bignotti

The first major exhibition that the city of Brescia dedicates to Fabrizio Plessi: characterised by digital installations, video projections and monumental digital walls aimed at creating an immersive and enthralling itinerary of high technology, light, sound and moving images, specifically dedicated to the city's vestiges and heritage. This pioneering project is part of the exhibition format Palcoscenici archeologici (Archaeological stages) inaugurated with the monographic exhibitions on Francesco Vezzoli (2021) and Emilio Isgrò (2022).

The project proposed in the archaeological area of the Capitolium and in the Museum of Santa Giulia consists of an immersive and enthralling itinerary, of great scientific and cultural value, with a high visual impact and technological perfection, and is made up of digital installations, video projections and monumental digital walls: a journey that highlights the vestiges and heritage of our City, rewriting them with Plessi's technological and multimedia alphabet, with light, sound and moving images. The exhibition, which is part of the format Archaeological Stages, consists of a diffuse and site-specific exhibition in the museum complex of San Salvatore and Santa Giulia, in the Capitolium and in a collection of the project boards in the Fresco Rooms and in the entrance hall.

The project is part of and crowns the research that the artist has been conducting in recent years, defined by Plessi himself as “The Golden Age” and translated, in September 2020, into the monumental digital installation on the windows of the Correr Museum in St. Mark's Square, supported by Dior and consisting of large golden cascades that emotionally dialogue with the mosaics of St. Mark's Basilica.