Archaeologies of the Present

The personal exhibition of the Turin artist Fulvio Donorà brings together painting, drawing, collage e installation in a route that transforms the halls of the House of the Green Count in a mental landscape fact of layers of meaning, colour, gesture e monochrome. Edited by Claudio Zoccola (Artistic Director of the Association CREO Ars Captiva) and accompanied by the critical text by Roberto MastroianniThe exhibition invites us to read the present as an 'archaeology' of traces and fragments, where each work is both fragment and map. The sequence of rooms draws a visual rhythm that alternates density and breath, evocation and subtraction, to probe the limits of language and the relationship between space e memory.

The research of Donorà - trained at theAcademy of Fine Arts of Turin and active between painting, illustration, theatrical scenography e didactics - can be recognised in one figure philosophical and existentialfiguration remains allusivesign is a line that opens up questions, colour becomes a perceptive field that becomes metaphysics of the everyday. Between references to poetry and matter, the artist constructs rooms of thought in which the visitor is called upon to become an explorer, juxtaposing clues, recomposing narratives, measuring himself with the time as sediment. An itinerary with an intimate but rigorous character, which brings into dialogue personal history e collective imaginationand transforms the viewing experience into an exercise in listening of the present.